Putting out the new chap; "Drunk at the matinee".
44 poems all together. Cover Design by Chelsea Martin
5 bucks. Buy it or buy a beer, its all the same to me.


shower scene applied to shit-eating: the shit, you might say, is all in your head. I know, I know: it’s still unbelievably repulsive, but I didn’t have to hide my eyes from the screen the way I did during the shit-eating sequence from Pier Paolo Pasolini’s because of the way Dr. Heiter has stitched his subjects together, any shit-eating that takes place in the film is essentially invisible, left up to the viewer to imagine. It's the rules of the PsychoSalò, which takes place in full view of the camera, and which made me retch no matter how hard I worked to remind myself that the actors were only eating chocolate. (The most disgusting food scene I’ve ever witnessed, by the way, remains the moment in Harmony Korine’s Gummo where the kid accidentally drops a chocolate bar into his dirty bathwater, fishes it out, and continues eating it.)
Some people know how to make something out of nothing—Bernard Pras knows how to make something out of anything! The French artist uses just about anything he can find to create his crafty masterpieces.
Look closely at his Louis XIV portrait, and you’ll recognize toilet paper, bags of chips, soda cans and chocolate bars, while inspection of his Mao portrait reveals slinkies, stars and peacock feathers.
from an insane kinda dude . com
Who's responsible for this? 



STLToday reports that the woman, identified only as Jane Doe, was dancing in at the former Rum Jungle bar in 2004 when someone reached up and pulled her tank top down, exposing her breasts to the "Girls Gone Wild" camera. Jane Doe, who was 20 at the time the tape was made, is now living in Missouri with her husband and two children. She only found out about the video in 2008, when a friend of her husband's saw the "Girls Gone Wild Sorority Orgy" video and recognized her face. He called up her husband, and in what has got to be the most awkward conversation ever, informed him that his wife's breasts were kinda famous.
The Ark of the Covenant (Hebrew: אָרוֹן הָבְּרִית Ārōn Hāb’rīt [modern pron. Aron Habrit]; Arabic: تابوت العهد Tābūt Al-ʿahd) is a vessel described in the Bible as containing the Tablets of Stone on which the Ten Commandments were inscribed, along with Aaron's rod and manna. According to the Pentateuch, the Ark was built at the command of God, in accord with Moses' prophetic vision on Mount Sinai (Exodus 25:10-16). God was said to have communicated with Moses "from between the two cherubim" on the Ark's cover (Exodus 25:22). The Ark and its sanctuary were considered "the beauty of Israel" (Lamentations 2:1). Rashi and some Midrashim suggest that there were two arks - a temporary one made by Moses himself, and a later one constructed by Bezalel.[1]
Biblical account relates that during the Israelites' exodus from Egypt, the Ark was carried by the priests some 2,000 cubits, or 1,000 m; 3,400 ft (Numbers 35:5; Joshua 4:5) in advance of the people and their army, or host (Num. 4:5-6; 10:33-36; Psalms 68:1; 132:8). When the Ark was borne by priests into the bed of the Jordan, water in the river separated, opening a pathway for the entire host to pass through (Josh. 3:15-16; 4:7-18). The city of Jericho was taken with no more than a shout after the Ark of Covenant was paraded for seven days around its wall by seven priests sounding seven trumpets of rams' horns (Josh. 6:4-20). When carried, the Ark was always wrapped in a veil, in tachash skins (the identity of this animal is uncertain), and a blue cloth, and was carefully concealed, even from the eyes of the Cohanim who carried it.

A series of photographs documenting former Death Row prisoners' requests for their last meal before execution.



My horrible typos and silly word slinging has been painstakingly edited by my good friend and fellow writer for HST, Ian Shearer; with special thanks to Mike Daily for being such a dude. This is not the collection of artists featured in HST over the past few months, this is a book i started long before the HST was even thought about.
108 pages; 6" x 9", jacket-hardcover binding, cream interior paper (50# weight), black and white interior ink, white exterior paper (100# weight), full-color exterior ink. Jacket Wrap and gold embossing on cloth spine.
While i have tried to keep the price as absolutely low as possible (I'm making about 1 dollar from each book) i know it's still scrapped in a little steep but with out pissing in my pocket - it really is worth the money spent, not only for my poetry but for the entire feel and complete package only a hard cover like this can embody.Obviously for adults only, i am very pleased to send this sucker out into the world and hope for a wide reception of feedback in any form, from any one! Please DO NOT buy this book if you are easily offended, have any shred of respect for me at all, don't want to hear stories about my penis, fear you may be exposed in one of these poems, are a family member of mine of D'Arnes,if you drink soy latte's or enjoy poetry about flowers and rivers. Any one else, please check it out with a grain of salt and a giggle and i thank you in advance for your support and on going communication.
Lets all get pissed and say silly things!
Double Penetration is Horror Sleaze And Trash's first publication; featuring the poetry of Ryan Quinn Flanagan and Ben Smith. A collection of 70 off-beat and low brow poems you imagine the pair to come up with in this mix of madness. 10 Aussie bucks will get this sucker to your door. A5 in size, about 80 pages, soft card cover with black and white insides. Buy it now, or don't, and wish you hadda, 25 limited copies. Great gift idea for your Grandmothers!
"Drunk at the matinee" is a collection of candid poetry about stupid shit that we all experience from day to day.
"I fucking love you, Bitch" is my new
card cover chap book, 25 pages, color cover
and b/w insides. Poetry based on the duality
of the sexes - but mainly filth and stories
that made my girl laugh.
Date: 2009
Details: Gluebook, 21 x 25,5 x 2 cm, mixed media (adhesive tape, spray paint, oil/color sticks, acrylic, paper, color and black&white prints on kid’s book), 24 pages, handmade, signed, unique piece
Art work by {THS} http://www.ths.nu/
With poems by Ben John Smith, Australia.

