Tuesday, November 20, 2018

“In his solitary moments, which were frequent, he had dreamt up a game involving stick men and spirals. The stick men were spindly figures who would be annihilated if they came too close to one another, as each boy manipulated his little army. The spirals were tightly drawn, intensely imagined symbols of descent, whose ultimate destination was a black hole. He called the game ‘Infinity Land’. He was about nine years old at the time, and must not be credited with any major concept, but it is alarming that he should have used such a name for this childish exercise, and with hindsight it is possible to discern signs of which he was entirely unaware. The stick men were fleshless; they were not conceived with the full contours of people, but with the bare essence of bone.

Their danger lay in closeness; any contact resulted in oblivion, suggesting that intimacy was the ultimate disaster and the severest risk. The oblivion was represented by the black hole of infinity, an abject, featureless, hopeless nothingness, which, perhaps, the infant already saw when he gazed into himself. Or perhaps he saw it as the danger facing anyone who got near him”.

- Brian Masters, The Shrine of Jeffrey Dahmer

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