Horror, Sleaze and Trash.

thekurosawaproject:

Crew and kids on set for “One Wonderful Sunday” (1947). Cinematographer Asakazu Nakai, who worked on the majority of Kurosawa’s classic films, sits behidn the camera. Kurosawa (L) wears a fedora and is flanked by kids. 
A lot of the film was shot on the streets of Tokyo, which was against SCAP regulations at the time, so the crew hid the camera in wooden boxes with holes cut to fit lenses.