
Saturday, December 2, 2017

Vanessa de Largie is an Australian
artist who divides her time between London and Melbourne. She’s an
award-winning actress and author. She’s also a prolific sex-columnist,
journalist and blogger. Vanessa’s work primarily focuses on fierce
female sexuality and issues that affect women.
Since February 2017, Vanessa has been the monthly sex-columnist for Maxim Magazine’s print issue.
She recently returned to Melbourne after training at The London Actors Centre for 6 months.
Full bio, articles, gallery and more at www.vanessadelargie.net
Photo credit: Nicola Cocco
HST: Vanessa de Largie — poet, model,
journalist, actress… You’ve worn (and continue to wear) many hats over
the course of your career, but if you could identify one unifying theme
in your broad body of work, what would you say it’s been tying things
all together?
VdL: The one unifying theme? To be free…
One feels enslaved in this ‘politically correct’ world. In my work, I
attempt to free myself from societal repression and oppression. I’m
trying to loosen the chains. For me, creativity is a way of coping. It’s
a rebellion against the system.
HST: For all the good intentions of PC
culture and the problems it seeks to address, the pendulum really does
seem to have swung, infringing on freedom of speech and expression to an
often absurd degree. Can you give us an example of how this has
personally affected you?
VdL: As a journalist particularly, unless
you stick to the ‘PC narrative’ that the media pushes — you’ll be
silenced. And I know this because I’ve experienced it firsthand. Many
of the columns I write each week, don’t see the light of day — because I
can’t sell them anywhere.
It’s scary to contemplate how much power a small handful of
newspaper editors have. And they don’t suffer, they’re on a salary.
It’s the freelance journo who suffers because it affects their
livelihood. I wrote a controversial column last year which I speak
about below. It resulted in three editors from three major media
publications to stop publishing my work.
I make $300 a column. So let’s say on average, I sold ONE
column to each of those THREE editors a month. Hypothetically they’ve
reduced my monthly earning capacity as a journalist by $900. That’s a
lot of money for an artist!
But what would be worse? Toning down my voice or twisting
my beliefs in order to sell columns. I’m an authentic person. I may be
poor (haha). But I write my truth.
HST: Working as a woman and a sex-positive
feminist in the public eye, what have been some of the biggest
challenges you’ve had to face?
VdL: Ironically, it’s my own gender that
cause me the most grief. My brand of ‘fierce’ female sexuality doesn’t
sit well with many women — it makes them feel uncomfortable. But causing
discomfort is positive. It suggests that you are stirring something
within them and challenging their beliefs.
The biggest challenges I’ve faced in the public eye? In
October 2016, I wrote a controversial column about Kim Kardashian which
landed me in hot soup. I found myself splashed across the Washington
Times, Cosmopolitan Magazine and The Guardian. For three months I was
trolled and cyber-bullied by packs of women who identified as feminists.
The hypocrisy!
To say that experience was ‘full on’ would be the
understatement of the century. That bumpy journey coupled with the
excessive man-hating that exists in society has forced me to detach from
the ‘feminist’ movement. I feel at peace with my decision.
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"Drunk at the matinee" is a collection of candid poetry about stupid shit that we all experience from day to day.




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